![]() ![]() I find that with the whole Arturia collection - maybe with the exception of the very nice CZ-V and the CMI-V. That's probably a desirable thing for many artists but for me this would be good when I'm looking for a specific sound rather than as a source of inspiration. I think it's an excellent synth but it sounds very contemporary even when it's trying to sound vintage. Oh man, and I just LOVE that Surgeon notch type, it's very unique notch, one of the best I've encountered. Hmmm I think resonances In various lowpass types sound very creamy, smooth and organic.especially "Mini", if I remember correctly. I was sold on the amazing UI but the sound never inspired me. There are still great things about MassiveX, each has their strengths - but for modulation (I AM a modulation freak), I much prefer Pigments, though Massive was my former favorite… Plus little things like key commands for zooming the interface, draggable envelopes, and now granular modes are icing on the cake! I also appreciate the visuals on Pigments, LFOs that show the shape and current position, filter that show the spectrum response, oscillators that show waveforms/wavetables/sample data, etc. Plus, not sure if this is a "hard" limit, but you can only work with three sources for each destination at once in Massive, but Pigments allows you to assign and view ALL sources to any single destination. ![]() Or conversely, how you can see (and edit) ALL mod source for a single destination at once. I REALLY like how you can see all destinations and amounts for any mod source at once, which really helps to understand existing patches (or your own forgotten patches!). ![]() I have a polar opposite opinion about modulation in Pigments vs MassiveX. It's not straightforward as in Massive X. ![]() Pigments is WONDERFUL sounding inspiring synth.I would call it "synth with the spirit".But the modulation workflow slows down my working with the synth. ![]()
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